1.0Festival der Regionenhttps://fdr.at/en/rich600338<blockquote class="wp-embedded-content" data-secret="gQRu7r1O37"><a href="https://fdr.at/en/project/the-ideology-of-abandonment/">Ideologie der Verlassenheit</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://fdr.at/en/project/the-ideology-of-abandonment/embed/#?secret=gQRu7r1O37" width="600" height="338" title="“Ideologie der Verlassenheit” — Festival der Regionen" data-secret="gQRu7r1O37" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://fdr.at/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://fdr.at/wp-content/uploads/2021/05/fdr_ideologie.jpg9101280An actor, a cello, and a piano interpret the script, written as a song cycle, by the internationally acclaimed Australian playwright Duncan Graham, who was not able to travel to Europe due to our living situation the last few months. Between grief and ignorance, longing and irony, the stories, songs and monologues of people who... weiterlesen