1.0Festival der Regionenhttps://fdr.at/en/rich600338<blockquote class="wp-embedded-content" data-secret="g6N2wrFG2H"><a href="https://fdr.at/en/project/solid-bodies-soft-machines/">Solid Bodies — Soft Machines</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://fdr.at/en/project/solid-bodies-soft-machines/embed/#?secret=g6N2wrFG2H" width="600" height="338" title="“Solid Bodies — Soft Machines” — Festival der Regionen" data-secret="g6N2wrFG2H" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://fdr.at/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://fdr.at/wp-content/uploads/2021/05/diehaende.jpg1280716Betül Seyma Küpeli goes in search of the intersection between the human body and the machine in the oral history of labor migration with the workers of the former Lodenfrey textile factory in Bad Ischl. With digital painting and moving images, printed and projected onto textiles, the subjective stories of the workers are illuminated both... weiterlesen