1.0Festival der Regionenhttps://fdr.at/en/rich600338<blockquote class="wp-embedded-content" data-secret="jppbliymD3"><a href="https://fdr.at/en/project/bust-talk/">Bust Talk</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://fdr.at/en/project/bust-talk/embed/#?secret=jppbliymD3" width="600" height="338" title="“Bust Talk” — Festival der Regionen" data-secret="jppbliymD3" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://fdr.at/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://fdr.at/wp-content/uploads/2025/04/9_21-Bust-Talk-c-Thomas-Geiger.jpeg1275961Bust talks is a performance series that has been running since 2018, based on the assumption that busts and statues are not just cold, soulless objects, but potential witnesses whose experiences and views can have an impact in the present.